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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    526 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 307 matching records exist across the two collections.

Results for "Page 9: a man and woman kissing, from '3"6 records

Institutions answered newest-first by record, interleaved

Esemplario di Lauori..., page 9 (verso) by Giovanni Andrea Vavassore, The Metropolitan Museum of Art

Esemplario di Lauori..., page 9 (verso)

Giovanni Andrea Vavassore (d. 1573)

August 1, 1532 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Le Pompe: Opera Nova, page 9 (recto) by Giovanni Battista & Marchio Sessa, The Metropolitan Museum of Art

Le Pompe: Opera Nova, page 9 (recto)

Giovanni Battista & Marchio Sessa

1557 · Woodcut

Cleared · Public Domain

live
The MetSimilar
A Woman led by a Player holding a Torch, plate 9 from "The Masquerades" by Jacques de Gheyn II, The Metropolitan Museum of Art

A Woman led by a Player holding a Torch, plate 9 from "The Masquerades"

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1812–20 · Brush and point of brush, gray washes, over touches or red chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Page 3: scene from a ballad 'Doña Simona' and another scene of a woman shooting a girl, from '36 Grabados' (Mexico, 1943)

José Guadalupe Posada (d. 1913)

1943 · Type-metal engraving on blue paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Page 9: a man and woman kissing, from '36 Grabados' (Mexico, 1943)

José Guadalupe Posada (d. 1913)

1943 · Zincograph on green paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.