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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    322 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 37 matching records exist across the two collections.

Results for "Page I (Latin text) Vignette (head-piece"12 records

Institutions answered newest-first by record, interleaved

New Inventions of Modern Times [Nova Reperta], The Invention of Eyeglasses, plate 15 by Jan Collaert I, The Metropolitan Museum of Art

New Inventions of Modern Times [Nova Reperta], The Invention of Eyeglasses, plate 15

Jan Collaert I (d. 1581)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
New Inventions of Modern Times [Nova Reperta], The Invention of the Polishing of Armor, plate 17 by Jan Collaert I, The Metropolitan Museum of Art

New Inventions of Modern Times [Nova Reperta], The Invention of the Polishing of Armor, plate 17

Jan Collaert I (d. 1581)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis by Charles Audran, The Metropolitan Museum of Art

Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis

Charles Audran (d. 1674)

1622 · Etching

Cleared · Public Domain

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The MetSimilar
Diverses Pieces de Serruriers, page 3 (recto) by Jean Berain, The Metropolitan Museum of Art

Diverses Pieces de Serruriers, page 3 (recto)

Jean Berain (d. 1711)

ca. 1663 · Engraving

Cleared · Public Domain

live
The MetSimilar
Diverses Pieces de Serruriers, title page (recto) by Jean Berain, The Metropolitan Museum of Art

Diverses Pieces de Serruriers, title page (recto)

Jean Berain (d. 1711)

ca. 1663 · Engraving

Cleared · Public Domain

live
The MetSimilar
Ein neues Buch von allerhand Gold-Arbeit, auff unterschiedliche Art und Manier sehr wol u. nüzlich zu gebrauchen by Joseph Friedrich Leopold, The Metropolitan Museum of Art

Ein neues Buch von allerhand Gold-Arbeit, auff unterschiedliche Art und Manier sehr wol u. nüzlich zu gebrauchen

Joseph Friedrich Leopold (d. 1726)

1716 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Massachusetts Magazine, or, Monthly Museum of Knowledge and Rational Entertainment by an unrecorded maker, The Metropolitan Museum of Art

The Massachusetts Magazine, or, Monthly Museum of Knowledge and Rational Entertainment

Unrecorded maker

1789–96 · Serial publication, illustrated

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Page I (Latin text) Vignette (head-piece); Sarcophagus of Egyptian porphyry found among the ruins of the baths of M. Agrippa, now the funerary urn for the ashes of Pope Clement XII in the Basilica of St. John Lateran, from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)

Giovanni Battista Piranesi (d. 1778)

1762 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Page I (Latin text) Vignette (head-piece); Tomb of Maria Honorius, wife of the Emperor..., from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)

Giovanni Battista Piranesi (d. 1778)

1762 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Componimenti poetici per l'ingresso solenne alla dignità di procuratore di S. Marco per merito di Sua Eccellenza il signor Gian-Francesco Pisani

Carlo Gozzi (d. 1806)

1763 · Book with etched allegorical scene, title page, portrait and ornament borders

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'éventail

Octave Uzanne (d. 1931)

1882

In copyright

live
The MetSimilar

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