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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    387 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    266 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,665 matching records exist across the two collections.

Results for "Page from Illustrations and Explanations"12 records

Institutions answered newest-first by record, interleaved

Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire) by Minamoto no Toshiyori, The Metropolitan Museum of Art

Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire)

Minamoto no Toshiyori (d. 1129)

1120 · Page from a book; ink on decorated paper

Cleared · Public Domain

live
The MetSimilar
Page from the Illustrations and Explanations of the Three Jewels  (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire) by Minamoto no Toshiyori, The Metropolitan Museum of Art

Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)

Minamoto no Toshiyori (d. 1129)

1120 · Detached page from a book mounted as a hanging scroll; ink on mica paper

Cleared · Public Domain

live
The MetSimilar
Cover Page from Geometria et Perspectiva by Lorenz Stoer, The Metropolitan Museum of Art

Cover Page from Geometria et Perspectiva

Lorenz Stoer (d. 1621)

1567 · Woodcut in a bound volume with 13 sheets

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page from Geometria et Perspectiva

Lorenz Stoer (d. 1621)

1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page from Festons, First Edition

Hans Carl Perleberg

ca. 1890 · Illustrations: photographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 1

Edward Gordon Craig (d. 1966)

1898 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 2

Edward Gordon Craig (d. 1966)

1899 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Jack and Jill"―page design

Paul Vincent Woodroffe (d. 1954)

October 2, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Old King Cole"―page design

Paul Vincent Woodroffe (d. 1954)

May 25, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Yankee Doodle"―page design

Paul Vincent Woodroffe (d. 1954)

1906–7 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Vrai et le Faux Chic, Musée des Erreurs, Page 11

Georges Goursat [Sem] (d. 1934)

1914 · Color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchers and Etching: Chapters in the History of Art, Together with Explanations of Modern Artistic Methods

Joseph Pennell (d. 1926)

1919 · Illustrations: photogravure, half tone and process printing used to reproduce etching, drypoint, aquatint, mezzotint; one etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.