
Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire)
Minamoto no Toshiyori (d. 1129)
1120 · Page from a book; ink on decorated paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
387 ms. The Metropolitan Museum of Art, Collection API (Open Access)
266 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,665 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire)
Minamoto no Toshiyori (d. 1129)
1120 · Page from a book; ink on decorated paper
Cleared · Public Domain
live
Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)
Minamoto no Toshiyori (d. 1129)
1120 · Detached page from a book mounted as a hanging scroll; ink on mica paper
Cleared · Public Domain
live
Cover Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in a bound volume with 13 sheets
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from Festons, First Edition
Hans Carl Perleberg
ca. 1890 · Illustrations: photographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 1
Edward Gordon Craig (d. 1966)
1898 · Illustrations: woodcuts, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Jack and Jill"―page design
Paul Vincent Woodroffe (d. 1954)
October 2, 1906 · Pen and black ink, watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Old King Cole"―page design
Paul Vincent Woodroffe (d. 1954)
May 25, 1906 · Pen and black ink, watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Yankee Doodle"―page design
Paul Vincent Woodroffe (d. 1954)
1906–7 · Pen and black ink, watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Vrai et le Faux Chic, Musée des Erreurs, Page 11
Georges Goursat [Sem] (d. 1934)
1914 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchers and Etching: Chapters in the History of Art, Together with Explanations of Modern Artistic Methods
Joseph Pennell (d. 1926)
1919 · Illustrations: photogravure, half tone and process printing used to reproduce etching, drypoint, aquatint, mezzotint; one etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.