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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    549 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 634 matching records exist across the two collections.

Results for "Page from Tales of a Parrot (Tuti-nama):"12 records

Institutions answered newest-first by record, interleaved

Page from Tales of a Parrot (Tuti-nama): text page by an unrecorded maker, The Cleveland Museum of Art

Page from Tales of a Parrot (Tuti-nama): text page

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot) by Iqbal, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot)

Iqbal

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night by an unrecorded maker, The Cleveland Museum of Art

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night by an unrecorded maker, The Cleveland Museum of Art

The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night by Dasavanta, The Cleveland Museum of Art

The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night

Dasavanta (d. 1584)

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night by an unrecorded maker, The Cleveland Museum of Art

Khujasta kills the pet mynah who advises her not to be unfaithful to Maymun, her husband, from a Tuti-nama (Tales of the Parrot): First Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Night by an unrecorded maker, The Cleveland Museum of Art

The soldier receives a garland of roses from his wife which will remain fresh as long as she is faithful, from a Tuti-nama (Tales of a Parrot): Fourth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night by an unrecorded maker, The Cleveland Museum of Art

The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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