Calligraphy
Basavana (d. 1600)
c. 1596 · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
364 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 65 matching records exist across the two collections.
Results for "Page of Calligraphy"12 records
Institutions answered newest-first by record, interleaved
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Calligraphy, Persian Verses (verso)
Unrecorded maker
1400s · Manuscript, Opaque watercolor, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Portion of Text from the "Wisps of Cloud" (Usugumo) Chapter of The Tale of Genji
Unrecorded maker
1600s-1700s · Calligraphy, album leaf; ink on dyed paper with gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
Persian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Album
Mir 'Ali Haravi (d. 1550)
calligraphy: c. 1500–1540; border: c. 1630–40 · Painting, Gum tempera, gold, and ink on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscript
Unrecorded maker
late 1500s–early 1600s · Manuscript, ink, gold, and opaque watercolor on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Page from a Qur'an (verso)
Unrecorded maker
1100s · Calligraphy, ink, gold, and colors on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Folio from a Qur'an
Unrecorded maker
1100s · Calligraphy, ink, gold, and colors on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Eight Lines of Musical Poetry of the Jajner Nauras (Rag Bhairav) of Ibrahim Adil Shah of Bijapur (verso)
Unrecorded maker
late 1600s · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso)
Mirza Muhammad
c. 1500–1520 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Left side of a double-page album folio: Outside a Royal Encampment (recto)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Calligraphy: Preface to the Anvar-i Suhaili
Unrecorded maker
c. 1590 · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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