Study of a Nude Man
Pierre Narcisse Guérin (d. 1833)
ca. 1810–20 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
408 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 251 matching records exist across the two collections.
Results for "Paint box with nude study"12 records
Institutions answered newest-first by record, interleaved
Study of a Female Nude
Henri Lehmann (d. 1882)
1840 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Study of a Nude Man
Gustave Courbet (d. 1877)
early 1840s · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Male Nude
Edgar Degas (d. 1917)
1856 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Paint box with nude study
Helena de Kay (d. 1916)
ca. 1871 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower Study
Helena de Kay (d. 1916)
date not published · Oil on wood
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-portrait
Helena de Kay (d. 1916)
date not published · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower study
Helena de Kay (d. 1916)
1870s · Oil on wood
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Composition (Study for "Nude Model in the Studio")
Fernand Léger (d. 1955)
1912 · Oil paint, opaque watercolor, and ink over graphite on brown paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh (Part Two): The Night May Bring You Happiness and Joy
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Enkidu and the Harlot
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Siduri the Innkeeper
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.