
Syrians Bringing an Elephant and a Bear, Tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1479–1396 BCE · Paper, tempera paint, ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
339 ms. The Metropolitan Museum of Art, Collection API (Open Access)
425 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,724 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Syrians Bringing an Elephant and a Bear, Tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1479–1396 BCE · Paper, tempera paint, ink
Cleared · Public Domain
live
Syrians Bringing an Ingot and a Chariot, tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1479–1396 BCE · Paper, tempera paint, ink
Cleared · Public Domain
live
Botanical Painting: Composite Flower
Unrecorded maker
ca. 1630 · Opaque color on paper
Cleared · Public Domain
live
Study of a Young Woman
Johannes Vermeer (d. 1675)
ca. 1665–67 · Oil on canvas
Cleared · Public Domain
livePainting of a Young Beauty
Muhammad Sadiq (d. 1805)
1739–50s · Ink, opaque watercolor, and gold on cloth
Cleared · Public Domain
live
A Radish Plant, Seed, and Flower
Unrecorded maker
late 18th century · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Study for "Portrait of an Indian"
Anne Louis Girodet-Trioson (d. 1824)
ca. 1807 · Oil on canvas
Cleared · Public Domain
live
Exotic Flower
Edouard Manet (d. 1883)
1868 · Etching and aquatint on laid paper, final state (of two)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Embroidery with Series of Bundles with Exotic Flowers and Leaves
Italian School (d. 1899)
ca. 1850–1900 · Watercolor and Ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting of an exotic flower
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Oil on canvas mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower Basket (Hanakago)
Iizuka Rōkansai (d. 1958)
ca. 1932 · Timber bamboo and rattan
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower and Bee
Zhao Shao'ang (d. 1998)
after 1946 · Woodblock print mounted as an album leaf; ink and color on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.