
Pair of mounted vases
Unrecorded maker
ca. 1750 · Hard-paste porcelain, gilt bronze mounts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
379 ms. The Metropolitan Museum of Art, Collection API (Open Access)
392 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 96 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pair of mounted vases
Unrecorded maker
ca. 1750 · Hard-paste porcelain, gilt bronze mounts
Cleared · Public Domain
live
Fire iron holder (one of a pair) (part of a set)
Unrecorded maker
ca. 1730–60 · Gilt bronze
Cleared · Public Domain
live
Taperstick (one of a pair)
Unrecorded maker
ca. 1775 · Glass
Cleared · Public Domain
live
Taperstick (one of a pair)
Unrecorded maker
ca. 1775 · Glass
Cleared · Public Domain
live
Vase (vase à monter) (one of a pair)
Sèvres Manufactory (d. 9999)
vase ca. 1755–60, mounts ca. 1760–75 · Soft-paste porcelain, gilt bronze mounts
Cleared · Public Domain
live
Taper holder (one of a pair)
James Gould (d. 1747)
stick 1733–34, bobêche 1812–13 · Silver
Cleared · Public Domain
live
Taper holder (one of a pair)
William Abdy II (d. 1823)
1812–13 · Silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of flower holders
Ginsburg & Levy, Inc.
ca. 1750–60 · Salt-glazed stoneware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of Blotter Holders
Louis C. Tiffany (d. 1933)
ca. 1910–20 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Earring, One of a Pair
Unrecorded maker
late 19th–early 20th century · Silver filigree with applied silver gilt plaques, silver bells, and coral beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Earring, One of a Pair
Unrecorded maker
late 19th–early 20th century · Silver filigree with applied silver gilt plaques, silver bells, and coral beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of Triangular Amulet Holders
Unrecorded maker
late 19th–early 20th century · Silver, fire-gilded and chased, with decorative wire, openwork, cabochon carnelians, wire chains, and bells
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.