Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    595 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,694 matching records exist across the two collections.

Results for "Pair of cachepots"12 records

Institutions answered newest-first by record, interleaved

Pair of Stirrups by an unrecorded maker, The Metropolitan Museum of Art

Pair of Stirrups

Unrecorded maker

16th–17th century · Copper alloy (bronze)

Cleared · Public Domain

live
The MetSimilar
Pair of Flower Pots (Pots de fleurs) by Bourg-la-Reine Factory, The Cleveland Museum of Art

Pair of Flower Pots (Pots de fleurs)

Bourg-la-Reine Factory

c. 1775 · Ceramic, soft-paste porcelain with enamel decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pair of Stirrups by an unrecorded maker, The Metropolitan Museum of Art

Pair of Stirrups

Unrecorded maker

ca. 1750 · Iron, silver

Cleared · Public Domain

live
The MetSimilar
Pair of cachepots by an unrecorded maker, The Metropolitan Museum of Art

Pair of cachepots

Unrecorded maker

1770–80 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Pair of cachepots by an unrecorded maker, The Metropolitan Museum of Art

Pair of cachepots

Unrecorded maker

18th century · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Cachepot by an unrecorded maker, The Metropolitan Museum of Art

Cachepot

Unrecorded maker

1700–1800 · Probably tin

Cleared · Public Domain

live
The MetSimilar
Cachepot by an unrecorded maker, The Metropolitan Museum of Art

Cachepot

Unrecorded maker

1700–1800 · Probably tin

Cleared · Public Domain

live
The MetSimilar
Pair of Stirrups by an unrecorded maker, The Metropolitan Museum of Art

Pair of Stirrups

Unrecorded maker

16th–18th century · Iron, gold, silver

Cleared · Public Domain

live
The MetSimilar
Cachepot with stand (one of a pair) by Coalport, The Metropolitan Museum of Art

Cachepot with stand (one of a pair)

Coalport (d. 1926)

ca. 1805 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Pair of Stirrups by an unrecorded maker, The Metropolitan Museum of Art

Pair of Stirrups

Unrecorded maker

late 18th–mid-19th century · Silver

Cleared · Public Domain

live
The MetSimilar
Pair of Spurs by an unrecorded maker, The Metropolitan Museum of Art

Pair of Spurs

Unrecorded maker

19th century · Iron, silver, stone (diamond?), leather, textile, silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pair of Stirrups

Nagakuni (d. 1700)

17th century · Iron, lacquer, silver

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.