
Hinged Cuff Bracelet
Unrecorded maker
ca. 1479–1425 BCE · Gold, carnelian, turquoise, glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
472 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 253 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Hinged Cuff Bracelet
Unrecorded maker
ca. 1479–1425 BCE · Gold, carnelian, turquoise, glass
Cleared · Public Domain
live
Hinged Cuff Bracelet
Unrecorded maker
ca. 1479–1425 BCE · Gold, carnelian, glass
Cleared · Public Domain
live
Hinged Cuff Bracelet
Unrecorded maker
ca. 1479–1425 BCE · Gold, carnelian, turquoise, glass
Cleared · Public Domain
live
Glass bracelet
Unrecorded maker
ca. 2nd half of 6th century BCE or later · Glass
Cleared · Public Domain
live
Glass rings and bracelets
Unrecorded maker
3rd century BCE–4th century CE
Cleared · Public Domain
live
Earring, One of a Pair
Unrecorded maker
19th century · Silver, gold, coral, seed pearls, imitation stone
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of gold and blue glass bracelets with lions' head finials
Unrecorded maker
4th–3rd century BCE · Gold, blue stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for two bracelets
Felix Duval (d. 1900)
ca. 1850–70 · Watercolor and gouache, gold pigment, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bracelet, One of a Pair
Unrecorded maker
19th–first half 20th century · Silver, enamel, imitation coral
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bracelet, One of a Pair
Unrecorded maker
19th–first half 20th century · Silver, enamel, imitation coral
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bracelet, One of a Pair
Unrecorded maker
20th century · Silver, enamel, stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bracelet, One of a Pair
Unrecorded maker
20th century · Silver, enamel, stones
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.