Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Pair of plaques"10 records

Institutions answered newest-first by record, interleaved

Pair of Plaques (Appliqué) by an unrecorded maker, The Cleveland Museum of Art

Pair of Plaques (Appliqué)

Unrecorded maker

1300s · Enamel, translucent enamel on gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pair of Jade Plaques by an unrecorded maker, The Cleveland Museum of Art

Pair of Jade Plaques

Unrecorded maker

475–221 BCE · Jade, nephrite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque Pair: Simon and Thaddaeus and Thomas and Matthew by an unrecorded maker, The Cleveland Museum of Art

Plaque Pair: Simon and Thaddaeus and Thomas and Matthew

Unrecorded maker

c. 1160 · Enamel, gilded copper, champlevé enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross by an unrecorded maker, The Cleveland Museum of Art

Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross

Unrecorded maker

c. 1350–1400 · Enamel, translucent enamel (basse-taille) on silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque: Thomas and Matthew by an unrecorded maker, The Cleveland Museum of Art

Plaque: Thomas and Matthew

Unrecorded maker

c. 1160 · Enamel, gilded copper, champlevé enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque: Simon and Thaddaeus by an unrecorded maker, The Cleveland Museum of Art

Plaque: Simon and Thaddaeus

Unrecorded maker

c. 1160 · Enamel, gilded copper, champlevé enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque from a Chasse for Relics of Saint Thomas Becket by Master G. Alpais, The Cleveland Museum of Art

Plaque from a Chasse for Relics of Saint Thomas Becket

Master G. Alpais

1220–25 · Enamel, copper: gilded and engraved; champlevé enamel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Jade Plaque by an unrecorded maker, The Cleveland Museum of Art

Jade Plaque

Unrecorded maker

475–221 BCE · Jade, nephrite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Jade Plaque by an unrecorded maker, The Cleveland Museum of Art

Jade Plaque

Unrecorded maker

475–221 BCE · Jade, nephrite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ceremonial Cross of Count Liudolf by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Cross of Count Liudolf

Unrecorded maker

shortly after 1038 · Metalwork, gold: worked in repoussé; cloisonné enamel; intaglio gems; pearls; wood core

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.