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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    923 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    436 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Palazzo Barberini (floor plan)"11 records

Institutions answered newest-first by record, interleaved

Palazzo Farnese, plan, ground floor (recto) blank (verso) by Anonymous, French, 16th century, The Metropolitan Museum of Art

Palazzo Farnese, plan, ground floor (recto) blank (verso)

Anonymous, French, 16th century (d. 1600)

early to mid-16th century · Dark brown ink, black chalk, and incised lines

Cleared · Public Domain

live
The MetSimilar
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1596–1669 · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Pope Innocent X by Alessandro Algardi, The Metropolitan Museum of Art

Pope Innocent X

Alessandro Algardi (d. 1654)

ca. 1690 · Bronze, on a later plinth

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzi di Roma de Piu Celebri Architetti (...)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Barberini (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo del Cardinale Alesandrino (Palazzo Valentini-floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo della Serenissima Casa Medici (Villa Medici-floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo delli Re d'Inghilterra (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Farnese (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Spada (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the Palazzo di Villa Pinciana: floor design of a room decorated with Egyptian motifs

Carlo Antonini (d. 1784)

ca. 1760–84 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.