
Palazzo Farnese, plan, ground floor (recto) blank (verso)
Anonymous, French, 16th century (d. 1600)
early to mid-16th century · Dark brown ink, black chalk, and incised lines
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
923 ms. The Metropolitan Museum of Art, Collection API (Open Access)
436 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Palazzo Farnese, plan, ground floor (recto) blank (verso)
Anonymous, French, 16th century (d. 1600)
early to mid-16th century · Dark brown ink, black chalk, and incised lines
Cleared · Public Domain
live
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1596–1669 · Pen and brown ink, over black chalk
Cleared · Public Domain
live
Pope Innocent X
Alessandro Algardi (d. 1654)
ca. 1690 · Bronze, on a later plinth
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzi di Roma de Piu Celebri Architetti (...)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo Barberini (floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo del Cardinale Alesandrino (Palazzo Valentini-floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo della Serenissima Casa Medici (Villa Medici-floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo delli Re d'Inghilterra (floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo Farnese (floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo Spada (floor plan)
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the Palazzo di Villa Pinciana: floor design of a room decorated with Egyptian motifs
Carlo Antonini (d. 1784)
ca. 1760–84 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.