
Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)
1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2441 ms. The Metropolitan Museum of Art, Collection API (Open Access)
405 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)
1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle
Cleared · Public Domain
live
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
Luca Carlevaris (d. 1730)
ca. 1709 · Oil on canvas
Cleared · Public Domain
live
Venice from the Bacino di San Marco
Francesco Guardi (d. 1793)
ca. 1765–75 · Oil on canvas
Cleared · Public Domain
live
Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi (d. 1793)
1780–93 · Pen and brown ink, light brown wash, on two sheets of paper, joined.
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.