
Panel with striding lion
Unrecorded maker
ca. 604–562 BCE · Ceramic, glaze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 681 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel with striding lion
Unrecorded maker
ca. 604–562 BCE · Ceramic, glaze
Cleared · Public Domain
live
Panel with striding lion
Unrecorded maker
ca. 604–562 BCE · Ceramic, glaze
Cleared · Public Domain
live
Embroidered panel with Grotesque decoration
Bernard Salomon (d. 1561)
1560–70 · Silk thread on silk
Cleared · Public Domain
live
Horizontal Panel with Three Thimble Designs and Two Medallions
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Panel with Biblical vignettes
Unrecorded maker
1667 · Canvas worked with wool, silk, and metal thread, glass beads, mica, silk satin; long-and-short, stem, split, chain, knots, cross, and couching stitches
Cleared · Public Domain
live
Modern copy of a panel for a decorative frieze with portrait of Carracci (from an original set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of Bernini (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of Carracci (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of da Cortona (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of da Vignola (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of Palladio (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live
Panel for a decorative frieze with portrait of Poussin (from a set of six)
Unrecorded maker
ca. 1771 · Carved, painted, and gilded oak
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.