Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    650 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    455 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24,199 matching records exist across the two collections.

Results for "Panel with a Group of Three Vases and a"11 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a trefoil oinochoe (jug) by Burgon Group, The Metropolitan Museum of Art

Terracotta fragment of a trefoil oinochoe (jug)

Burgon Group

second quarter of the 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Panel from a Tent Lining by an unrecorded maker, The Metropolitan Museum of Art

Panel from a Tent Lining

Unrecorded maker

1725–50 · Cotton; plain weave, mordant-painted and dyed, resist-dyed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with a Group of Three Vases and a Candlestick, with Ruins in the Background, from a Series with Vases and Candlesticks in Landscapes

Henri II Bonnart (d. 1711)

18th century · Engraving, etching in red-brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with a Group of Three Vases at Left and a Candlestick to the Right, with Ruins in the Background, from a Series with Vases and Candlesticks in Landscapes

Henri II Bonnart (d. 1711)

18th century · Engraving, etching in red-brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with Three Intact Vases and a Broken One, with Ruins in the Background, from a Series with Vases and Candlesticks in Landscapes

Henri II Bonnart (d. 1711)

18th century · Engraving, etching in red-brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Panel with Pattern of Decorative Flowers in a Geometric Vases Alternating with Sections of Fence

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Panel with Three Daisies Grouped at Center

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Panel with a Decorative Flower with Three Blue Leaves on a Yellow Background

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Panel with a Pattern of Three Overlapping Leaves Alternating with a Decorative Flower

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Panel with Cranes and a Vase of Roses and Daisies

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Panel with a Swan Before Three Floral Medallions

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.