
Upper Part of a Door Panel
Unrecorded maker
ca. 1473–1458 BCE · Wood (Abies sp. or Cedrus sp.), paint, linen, traces of gold, bronze or copper alloy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
294 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,877 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Upper Part of a Door Panel
Unrecorded maker
ca. 1473–1458 BCE · Wood (Abies sp. or Cedrus sp.), paint, linen, traces of gold, bronze or copper alloy
Cleared · Public Domain
live
Pilaster panel
Unrecorded maker
ca. 1700–10 · Carved oak, originally painted
Cleared · Public Domain
live
Habit à la disposition
Unrecorded maker
1760–75 · silk, paper
Cleared · Public Domain
live
Panel with trophy representing Africa
Unrecorded maker
ca. 1780–85 · Oak
Cleared · Public Domain
live
Panel with trophy representing Europe
Unrecorded maker
ca. 1780–85 · Oak
Cleared · Public Domain
live
Habit à la disposition
Unrecorded maker
1780–90 · silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with a Layer of White Line Over Large Purple Circles in the Background
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with a Line of Brown Ribbon Over Segmented Ovals with Blue Heart-Shaped Motifs on the Border
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Bundles of White Daisies Over a Pink, White and Brown Checked Background
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with White Lozenges and Scrolls over a Blue Checked Background
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with White Rosettes and Red Stripes over a Blue Background
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with White Stylized Daisies over a Pink Diagonal Checked Background
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.