Panel with Byzantine Ivory Carving of the Crucifixion
Unrecorded maker
10th century (ivory); late 11th century (setting) · Gilded silver on wood backing, inset with sapphire, glass, and crystal
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
366 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 184 matching records exist across the two collections.
Results for "Panel with the Crucifixion of the Good T"12 records
Institutions answered newest-first by record, interleaved
Panel with an Ivory Crucifixion Scene
Unrecorded maker
late 11th century · Gilded silver on wood backing, inset with glass and cloisonné enamel
Cleared · Public Domain
liveThe MetSimilar
Center Panel of a Triptych with the Crucifixion and the Entombment
Unrecorded maker
ca. 1100 · Elephant ivory
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion
Segna di Buonaventura (d. 1331)
ca. 1315 · Tempera on wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
Book Cover with Crucifixion Panel
Unrecorded maker
second quarter 14th century · Elephant ivory, champlevé enamel, and gilded copper on wood support
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion
Allegretto Nuzi (d. 1374)
ca. 1355–60 · Tempera on wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion
Master of the Berswordt Altar (d. 1435)
ca. 1400 · Oil, egg(?), and gold on plywood, transferred from wood
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion; The Last Judgment
Jan van Eyck (d. 1441)
ca. 1436–38 · Oil on canvas, transferred from wood
Cleared · Public Domain
liveThe MetSimilar
Panel with the Crucifixion of Christ
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
liveThe MetSimilar
Panel with the Crucifixion of the Bad Thief
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
liveThe MetSimilar
Panel with the Crucifixion of the Good Thief
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
liveThe MetSimilar
Triptych Panel with the Crucifixion
Unrecorded maker
early 16th century · Painted enamel, copper
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.