
Fragmentary terracotta kylix (drinking cup)
Kiss Painter
ca. 510–500 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
532 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,324 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragmentary terracotta kylix (drinking cup)
Kiss Painter
ca. 510–500 BCE · Terracotta
Cleared · Public Domain
live
The Kiss of Judas
Everhard Rensig
1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
live
Panel with the Kiss of Judas
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
live
Christ in the Garden of Gethsemane and The Kiss of Judas (pair)
Everhard Rensig
1522–1526 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
live
The Kiss of Judas
Unrecorded maker
16th century · Oak
Cleared · Public Domain
live
Christ in the Garden of Gethsemane
Everhard Rensig
1522–26 · Glass, pot-metal and white glass, silver stain and sanguine
Cleared · CC0
live
Mocking of Christ; Kiss of Judas; Flagellation
Emile Samson (d. 1913)
late 19th–early 20th century · Painted enamel on copper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Kiss of Judas, from "The Large Passion"
Jacob Cornelisz van Oostsanen (d. 1533)
1512 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Judas Kiss: Christ and Judas
Stephen Greene (d. 1999)
ca. 1951 · Pen and dark red ink on tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Judas Kiss: Christ and Judas
Stephen Greene (d. 1999)
ca. 1951 · Pen and dark red ink on tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Judas Kiss: Christ and Judas
Stephen Greene (d. 1999)
ca. 1951 · Pen and black ink on tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Judas Kiss: Christ and Judas
Stephen Greene (d. 1999)
ca. 1951 · Pen and dark red ink and graphite on tracing paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.