
A Monumental Archway with Five Bays in the Corinthian Order
Jacques Androuet Du Cerceau (d. 1585)
16th century · Pen and black ink with gray wash and traces of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
347 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,255 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Monumental Archway with Five Bays in the Corinthian Order
Jacques Androuet Du Cerceau (d. 1585)
16th century · Pen and black ink with gray wash and traces of black chalk
Cleared · Public Domain
live
Design for a Garden Fête with a Semi-circular Wall and Statues in Niches.
Francesco Allegrini (d. 1679)
1615–79 · Pen and brown ink, brush and brown wash over traces of graphite; some strokes cancelled with white gouache
Cleared · Public Domain
live
Design for a Façade with Statues in Niches and Armorial Trophies
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and brown wash, over graphite
Cleared · Public Domain
live
Design for a Wall Decoration of a Conservatory or Grotto with Statues and Vases in Niches
Anonymous, Italian, 19th century (d. 1900)
1800–1900 · Pen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneling with a statues in niches between pilasters, from Lambris à la française, plate 4
Jean Le Pautre (d. 1682)
published ca. 1656–57 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneling with a statues in niches between pilasters, plate 4 from 'Lambris à la française', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
ca. 1656–57 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneling with statues in niches, plate 6 from 'Lambris à la française', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
ca. 1656–57 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneling with statues in niches, plate 6 from "Lambris à la française"
Jean Le Pautre (d. 1682)
published ca. 1656–57 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tabernacle ornamented with a statues in niches, from Tabernacles à l'italienne, plate 4, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published 1661 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneled wall with two statues in niches, and with people in contemporary dress, plate 4 from 'Lambris à l'italienne', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; fourth state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paneling with statues in niches, from Lambris à la française, plate 6, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Palace Façade Decorated with Two Statues in Niches and a Coat of Arms Above
Anonymous, Italian (d. 2050)
n.d. · Pen and brown ink, brush and gray wash, over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.