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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    793 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Panorama des Champs-Elysées"12 records

Institutions answered newest-first by record, interleaved

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités by Honoré Daumier, The Metropolitan Museum of Art

Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités

Honoré Daumier (d. 1879)

March 22, 1858 · Lithograph on newsprint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album with Plates from "Translation des Cendres de l'Empereur Napoléon de Saint-Hélène a Paris"

Victor Adam (d. 1866)

1840 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panorama des Champs-Elysées

A. Provost (d. 1855)

ca. 1845–50 · Lithograph printed in black ink with additional tone printing in light ochre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Polichinelle des Champs Elysées

Armand Bourgade

ca. 1880 · Color lithograph, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jardin de Paris (Design for a Poster)

Pablo Picasso (d. 1973)

1901 · Black ink and watercolor on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif exposés au Grand Palais des Champs-Élysées

Société du Salon d'Automne

1905

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Théâtre des Champs-Élysées"

Paul Poiret (d. 1944)

1913 · a,c-e) silk, rhinestones; b) silk; f, g) silk, leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile

Paul Poiret (d. 1944)

ca. 1919 · Printed silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for the Ballet "Les Biches" (The Does)

Marie Laurencin (d. 1956)

ca. 1924 · Color collotype with crayon (dark green)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for the Ballet "Les Biches" (The Does)

Marie Laurencin (d. 1956)

ca. 1924 · Color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lelia Caetani

Balthus (Balthasar Klossowski) (d. 2001)

1935 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.