
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)
Hubert Robert (d. 1808)
ca. 1800 · Black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
793 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)
Hubert Robert (d. 1808)
ca. 1800 · Black chalk
Cleared · Public Domain
live
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités
Honoré Daumier (d. 1879)
March 22, 1858 · Lithograph on newsprint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album with Plates from "Translation des Cendres de l'Empereur Napoléon de Saint-Hélène a Paris"
Victor Adam (d. 1866)
1840 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panorama des Champs-Elysées
A. Provost (d. 1855)
ca. 1845–50 · Lithograph printed in black ink with additional tone printing in light ochre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Polichinelle des Champs Elysées
Armand Bourgade
ca. 1880 · Color lithograph, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jardin de Paris (Design for a Poster)
Pablo Picasso (d. 1973)
1901 · Black ink and watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif exposés au Grand Palais des Champs-Élysées
Société du Salon d'Automne
1905
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Théâtre des Champs-Élysées"
Paul Poiret (d. 1944)
1913 · a,c-e) silk, rhinestones; b) silk; f, g) silk, leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile
Paul Poiret (d. 1944)
ca. 1919 · Printed silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Ballet "Les Biches" (The Does)
Marie Laurencin (d. 1956)
ca. 1924 · Color collotype with crayon (dark green)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Ballet "Les Biches" (The Does)
Marie Laurencin (d. 1956)
ca. 1924 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lelia Caetani
Balthus (Balthasar Klossowski) (d. 2001)
1935 · Oil on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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