
Portrait of Sultan Mustafa I (r. 1617–18; 1622–23)
Unrecorded maker
late 17th–early 18th century · Opaque watercolor on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
778 ms. The Metropolitan Museum of Art, Collection API (Open Access)
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 161 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of Sultan Mustafa I (r. 1617–18; 1622–23)
Unrecorded maker
late 17th–early 18th century · Opaque watercolor on paper
Cleared · Public Domain
live
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?)
Pedro Duque Cornejo (d. 1757)
ca. 1700–50 · Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper
Cleared · Public Domain
live
Pugahm Myo: Distant View of Gauda-palen Pagoda
Linnaeus Tripe (d. 1902)
August 20–24, 1855 · Albumen silver print from waxed(?) paper negative
Cleared · Public Domain
live
Toy Square Piano
Charles Martin Crandall (d. 1905)
ca. 1860–80 · Wood, metal
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A New Method of Assisting the Invention in Drawing Original Compositions of Landscape, Plates 9-18
Alexander Cozens (d. 1786)
1786 · Etching, aquatint, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Motif from Kashmir Shawl: Khakhee (Dusty Color), No. 18, For Shah Zuman, Persia
Anonymous, Indian, 19th century (d. 1900)
ca. 1822–23 · Gouache on paper, varnished
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 1
Charles Haslewood Shannon (d. 1937)
1889 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 3
Charles Haslewood Shannon (d. 1937)
1893 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harold Brown Esq: "No.18"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Karli Frigge's life in marbling.
Sidney E. Berger
2004
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paper Med No.18
Su Xianzhong (d. 9999)
2020 · White porcelain, kiln brick
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.