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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    233 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Paper Theater or Diorama of an Italianat"12 records

Institutions answered newest-first by record, interleaved

Paper Theater or Diorama of an Italianate Villa and Garden by Martin Engelbrecht, The Metropolitan Museum of Art

Paper Theater or Diorama of an Italianate Villa and Garden

Martin Engelbrecht (d. 1756)

ca. 1730–56 · Etching and watercolor

Cleared · Public Domain

live
The MetSimilar
Trade Card for the Theater in Oxford by Anonymous, British, 18th century, The Metropolitan Museum of Art

Trade Card for the Theater in Oxford

Anonymous, British, 18th century (d. 1800)

18th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Shared Feelings in the Bedchamber of Komurasaki and Gompachi by Kitagawa Utamaro, The Metropolitan Museum of Art

Shared Feelings in the Bedchamber of Komurasaki and Gompachi

Kitagawa Utamaro (d. 1806)

ca. 1795 · Woodblock print; ink and color on paper

Cleared · Public Domain

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The MetSimilar
The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono) by Yanagawa Shigenobu 柳川重信, The Metropolitan Museum of Art

The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)

Yanagawa Shigenobu 柳川重信 (d. 1832)

1822 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

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The MetSimilar
The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo) by Ryūsai Shigeharu, The Metropolitan Museum of Art

The Courtesan Miyo of the Izutsuya Brothel as a Tea Whisk Vendor, from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono, Hachitataki Izutsuya Miyo)

Ryūsai Shigeharu (d. 1853)

1828, sixth month · Wood-block print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Three Heroes of the Water Margin Capture the Bandit Queen Ichijōsei, from the series One Hundred Eight Heroes of the Theater Suikoden by Shunbaisai Hokuei 春梅斎北英, The Metropolitan Museum of Art

Three Heroes of the Water Margin Capture the Bandit Queen Ichijōsei, from the series One Hundred Eight Heroes of the Theater Suikoden

Shunbaisai Hokuei 春梅斎北英 (d. 1837)

ca. 1835 · Tetraptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
Krishna as the Lord of the World (Shri Shri Jagannatha) by an unrecorded maker, The Metropolitan Museum of Art

Krishna as the Lord of the World (Shri Shri Jagannatha)

Unrecorded maker

ca. 1890 · Chromolithographic on paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diorama or Paper Theater: Praesentation eines Schönen Lustgarten durch einen bedeckten Gang

Jeremias Wachsmuth (d. 1771)

ca. 1730–40 · Etching with watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion for Fixtures, the Hershey Community Theatre," Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Ceiling, Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Abstract Trio

Paul Klee (d. 1940)

1923 · Watercolor and transferred matte black paint with gouache and black ink on paper mounted on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964

Charles Eames (d. 1978)

1964 · Wood, metal, paint, printed paper

In copyright

live
The MetSimilar

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