
Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
367 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,558 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
live
Café Wepler
Édouard Vuillard (d. 1940)
c. 1908–10, reworked in 1912 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancer at a Café Concert
Théophile-Alexandre Steinlen (d. 1923)
1892–93 · Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board
In copyright
live
Night Café
Louis Marcoussis (d. 1941)
c. 1923 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Paris–A Café Artist
Charles Dana Gibson (d. 1944)
1894 · Pen and ink over graphite on artist's board
In copyright
live
At the Café
Édouard Manet (d. 1883)
1874 · Print, gillotage
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Café des Tribunaux, Dieppe
Unknown Artist
ca. 1903–5 · Oil on canvas
In copyright
live
Paris: Café Artist
Ernest Haskell (d. 1925)
1910 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
live
Valmy and Léa
Jean Béraud (d. 1935)
c. 1885–95 · Drawing, brush and brown wash, heightened with white gouache, over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Café, Avenue de la Grande-Armée
Eugène Atget (d. 1927)
1924–25 · Matte albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paris Cafe
Christopher Richard Wynne Nevinson (d. 1946)
ca. 1920 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.