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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    148 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 469 matching records exist across the two collections.

Results for "Paris Sketchbook"12 records

Institutions answered newest-first by record, interleaved

Pinco Rome (Roman Pines) (recto), Foliage sketches (verso) by Richard Cooper II, The Metropolitan Museum of Art

Pinco Rome (Roman Pines) (recto), Foliage sketches (verso)

Richard Cooper II (d. 1822)

1774–75 · Graphite, pen and iron gall ink and wash (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Book of Hours (Use of Paris) by The Bedford Master, The Cleveland Museum of Art

Book of Hours (Use of Paris)

The Bedford Master

c. 1420 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rome by Richard Cooper II, The Metropolitan Museum of Art

Rome

Richard Cooper II (d. 1822)

1774–75 · Graphite, pen and iron gall ink with grey ink and touches of wash

Cleared · Public Domain

live
The MetSimilar
Book of Hours (Use of Paris) by Boucicaut Master, The Cleveland Museum of Art

Book of Hours (Use of Paris)

Boucicaut Master

c. 1420 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View at Rome by Richard Cooper II, The Metropolitan Museum of Art

View at Rome

Richard Cooper II (d. 1822)

1774–75 · Counterproof of an iron gall ink drawing, with graphite

Cleared · Public Domain

live
The MetSimilar
Printed Book of Hours (Use of Rome) by Guillaume Le Rouge, The Cleveland Museum of Art

Printed Book of Hours (Use of Rome)

Guillaume Le Rouge (d. 1517)

1510 · Bound Volume, 112 printed folios on parchment, bound

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Normandy Sketchbook by Eugène Delacroix, The Metropolitan Museum of Art

Normandy Sketchbook

Eugène Delacroix (d. 1863)

1829 · Graphite and watercolor, period binding

Cleared · Public Domain

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The MetSimilar
Printed Book of Hours (Use of Rome): fol. 66v, Text by Guillaume Le Rouge, The Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 66v, Text

Guillaume Le Rouge (d. 1517)

1510 · Bound Volume, 112 printed folios on parchment, bound

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sketchbook with views of Tours, France and its environs by Eugène Delacroix, The Metropolitan Museum of Art

Sketchbook with views of Tours, France and its environs

Eugène Delacroix (d. 1863)

1828–29 · Graphite and watercolor on wove paper

Cleared · Public Domain

live
The MetSimilar
Printed Book of Hours (Use of Rome): fol. 95v, Text by Guillaume Le Rouge, The Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 95v, Text

Guillaume Le Rouge (d. 1517)

1510 · Bound Volume, 112 printed folios on parchment, bound

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Othello Sketchbook by Eugène Delacroix, The Metropolitan Museum of Art

Othello Sketchbook

Eugène Delacroix (d. 1863)

1855 · Watercolor, pen and ink, and graphite

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: The Visitation by Boucicaut Master, The Cleveland Museum of Art

Leaf from a Book of Hours: The Visitation

Boucicaut Master

c. 1415 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

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3. Seal and export

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