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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    247 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    387 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 211 matching records exist across the two collections.

Results for "Paris and Helen, after pl.24, vol.4 of ""12 records

Institutions answered newest-first by record, interleaved

Cabinet by André Charles Boulle, The Metropolitan Museum of Art

Cabinet

André Charles Boulle (d. 1732)

ca. 1700 · Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze

Cleared · Public Domain

live
The MetSimilar
Pair of candlestands by an unrecorded maker, The Metropolitan Museum of Art

Pair of candlestands

Unrecorded maker

ca. 1735 · Linden wood; cut and gilded gesso; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
The Four Seasons by Antoine Watteau, The Metropolitan Museum of Art

The Four Seasons

Antoine Watteau (d. 1721)

second quarter 18th century · Canvas, painted in oil, with damask backing

Cleared · Public Domain

live
The MetSimilar
Paris and Helen (Anonymous Tracing after d ’Hancarville) by Jacques Louis David, The Metropolitan Museum of Art

Paris and Helen (Anonymous Tracing after d ’Hancarville)

Jacques Louis David (d. 1825)

ca. 1775–80 · Pen and brown ink, on tracing paper

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Coin cabinet by Charles Percier, The Metropolitan Museum of Art

Coin cabinet

Charles Percier (d. 1838)

ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paris and Helen, after pl.24, vol.4 of "Antiquités étrusques, grecques, et romaines tirées du cabinet de M. Hamilton"

Anonymous, 18th century (d. 1800)

18th century · Hand-colored intaglio

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette (Liv. XII, page 50, 4.e vol.) depicting the death of Achilles after his heel was pierced by Paris' arrow, from "Les Metamorphoses d'Ovide..."

Wilbrod-Nicolas-Magloire Courbe (d. 1807)

1820 · Etching and engraving; second state of four (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette (Liv. XII, page 50, 4.e vol.) depicting the death of Achilles after his heel was pierced by Paris' arrow,, from "Les Metamorphoses d'Ovide..."

Wilbrod-Nicolas-Magloire Courbe (d. 1807)

1820 · Etching and engraving; third state of four (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Documents concerning Parade: [Postcard from Satie to Cocteau (4)]

Erik Satie (d. 1925)

1916–17

In copyright

live
The MetSimilar

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