
Paris and Helen (Anonymous Tracing after d ’Hancarville)
Jacques Louis David (d. 1825)
ca. 1775–80 · Pen and brown ink, on tracing paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
258 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 190 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Paris and Helen (Anonymous Tracing after d ’Hancarville)
Jacques Louis David (d. 1825)
ca. 1775–80 · Pen and brown ink, on tracing paper
Cleared · Public Domain
live
Paris and Helen
Jacques Louis David (d. 1825)
ca. 1782–86 · Black chalk
Cleared · Public Domain
live
Nude children and a dog warming themselves by a fire; an allegory of Winter, after a bas-relief on the Fontaine des Quatre-Saisons (Paris)
Anonymous
after 1745 · Etching
Cleared · Public Domain
live
Nude children eating grapes and playing with a goat; an allegory of Fall, after a bas-relief on the Fontaine des Quatre-Saisons (Paris)
Anonymous
after 1745 · Etching
Cleared · Public Domain
live
Standing male angel looking up and holding a flute; after Fontaine des Quatre-Saisons (Paris)
Anonymous, French, 18th century (d. 1800)
possibly mid to late 18th century · Etching
Cleared · Public Domain
live
Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni
Anonymous
ca. 1800–1850 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paris and Helen, after pl.24, vol.4 of "Antiquités étrusques, grecques, et romaines tirées du cabinet de M. Hamilton"
Anonymous, 18th century (d. 1800)
18th century · Hand-colored intaglio
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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