
Parrot from the Parrot on a Perch
Mikhail Evlampievich Perkhin (d. 1903)
1896–1903 · Miscellaneous, jasper, agate, emeralds
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
344 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Parrot from the Parrot on a Perch
Mikhail Evlampievich Perkhin (d. 1903)
1896–1903 · Miscellaneous, jasper, agate, emeralds
Cleared · CC0
live
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
Dasavanta (d. 1584)
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
Lalu
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night
Lalu
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso)
Unrecorded maker
1000–1100s · Painting, gum tempera and ink on palm leaf
Cleared · CC0
live
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Page from Tales of a Parrot (Tuti-nama): text page
Unrecorded maker
1558–60 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Palmettes and Birds from a Tunic or Curtain
Unrecorded maker
500s–600s · Textile, Silk; complementary weft-faced twill weave with inner warps (samite)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.