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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

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    477 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Parrot group"12 records

Institutions answered newest-first by record, interleaved

The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night by an unrecorded maker, The Cleveland Museum of Art

The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night by an unrecorded maker, The Cleveland Museum of Art

The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night by an unrecorded maker, The Cleveland Museum of Art

The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night by an unrecorded maker, The Cleveland Museum of Art

The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night by an unrecorded maker, The Cleveland Museum of Art

The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night by an unrecorded maker, The Cleveland Museum of Art

The bag of gold which he received for the slave girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Side Drawer for Cabinet by André-Charles Boulle, The Cleveland Museum of Art

Side Drawer for Cabinet

André-Charles Boulle (d. 1732)

c. 1690 · Furniture and woodwork, ebony, marquetry in metal and tortoise shell

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Side Drawer for Cabinet by André-Charles Boulle, The Cleveland Museum of Art

Side Drawer for Cabinet

André-Charles Boulle (d. 1732)

c. 1690 · Furniture and woodwork, ebony, marquetry in metal and tortoise shell

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Interior Drawer for Cabinet by André-Charles Boulle, The Cleveland Museum of Art

Interior Drawer for Cabinet

André-Charles Boulle (d. 1732)

c. 1690 · Furniture and woodwork, ebony, marquetry in metal and tortoiseshell

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Side Drawer for Cabinet by André-Charles Boulle, The Cleveland Museum of Art

Side Drawer for Cabinet

André-Charles Boulle (d. 1732)

c. 1690 · Furniture and woodwork, ebony, marquetry in metal and tortoise shell

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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