Figure-celt pendant
Greater Nicoya or Central region artitst(s)
1–700 CE · Jadeite
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
840 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Results for "Partial View of the Colosseum (recto); S"11 records
Institutions answered newest-first by record, interleaved
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
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Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti) (d. 1594)
ca. 1550–55 · Black and white chalk on blue paper
Cleared · Public Domain
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Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
Tiberio Titi (d. 1622)
1590–1600 · Pen and light brown ink, over black chalk; some reworking of contours in black chalk(?) (recto); black chalk (verso)
Cleared · Public Domain
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Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso)
Luigi Vanvitelli (d. 1773)
1700–1773 · Graphite partly reworked with pen and black ink and brush and black ink and ruled construction lines in graphite (recto); graphite (verso)
Cleared · Public Domain
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Partial View of the Colosseum (recto); Sketch of the Temple of Minerva Medicea (verso)
Johann Christian Klengel (d. 1824)
late 18th–early 19th century · Brush and gray wash, over black chalk (recto); graphite, brush and blue wash (verso)
Cleared · Public Domain
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View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farm-Yard in Winter
George Henry Durrie (d. 1863)
1861 · Hand-colored lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer in the Country
Frances Flora Bond Palmer (d. 1876)
1865 · Hand-colored lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Surrender of General Lee, at Appomattox Court House, Virginia, April 9th, 1865
Currier & Ives (d. 1907)
1865 · Hand-colored lithograph
In copyright
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