Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    342 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    421 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,186 matching records exist across the two collections.

Results for "Partial Views of the Colosseum and the A"12 records

Institutions answered newest-first by record, interleaved

The Colosseum, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Colosseum, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
The Colosseum, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Colosseum, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
The Colosseum, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Colosseum, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
The Colosseum, from "Speculum Romanae Magnificentiae" by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

The Colosseum, from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla (d. 1599)

1581 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi (d. 1778)

1776 · Etching

Cleared · Public Domain

live
The MetSimilar
Partial View of the Colosseum (recto); Sketch of the Temple of Minerva Medicea (verso) by Johann Christian Klengel, The Metropolitan Museum of Art

Partial View of the Colosseum (recto); Sketch of the Temple of Minerva Medicea (verso)

Johann Christian Klengel (d. 1824)

late 18th–early 19th century · Brush and gray wash, over black chalk (recto); graphite, brush and blue wash (verso)

Cleared · Public Domain

live
The MetSimilar
View of the Colosseum and the Arch of Constantine from the Palatine by Charles Rémond, The Metropolitan Museum of Art

View of the Colosseum and the Arch of Constantine from the Palatine

Charles Rémond (d. 1875)

ca. 1822–24 · Oil on paper, laid down on canvas

Cleared · Public Domain

live
The MetSimilar
The Colosseum by Jane Martha St. John, The Metropolitan Museum of Art

The Colosseum

Jane Martha St. John (d. 1882)

1856 · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partial Views of the Colosseum and the Arch of Constantine

Stefano della Bella (d. 1664)

ca. 1644–46 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Constantine and the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of six (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior Passage in the Colosseum

François Diday (d. 1877)

1825 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from the Colosseum toward the Palatine

German Painter

1830 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.