
The Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
342 ms. The Metropolitan Museum of Art, Collection API (Open Access)
421 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,186 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Colosseum, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla (d. 1599)
1581 · Etching and engraving
Cleared · Public Domain
live
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
1776 · Etching
Cleared · Public Domain
live
Partial View of the Colosseum (recto); Sketch of the Temple of Minerva Medicea (verso)
Johann Christian Klengel (d. 1824)
late 18th–early 19th century · Brush and gray wash, over black chalk (recto); graphite, brush and blue wash (verso)
Cleared · Public Domain
live
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
The Colosseum
Jane Martha St. John (d. 1882)
1856 · Albumen silver print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partial Views of the Colosseum and the Arch of Constantine
Stefano della Bella (d. 1664)
ca. 1644–46 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Constantine and the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of six (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior Passage in the Colosseum
François Diday (d. 1877)
1825 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.