Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    392 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Passages from Modern English Poets"12 records

Institutions answered newest-first by record, interleaved

Half-Figure of a Nude Man Facing Right by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Half-Figure of a Nude Man Facing Right

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1640's · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Satan Starts from the Touch of Ithuriel's Spear by Henry Fuseli, The Cleveland Museum of Art

Satan Starts from the Touch of Ithuriel's Spear

Henry Fuseli (d. 1825)

1776 · Drawing, pen and brown ink and brush and gray wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature” by Morikawa Kyoriku (Kyoroku) 森川許六, The Metropolitan Museum of Art

Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”

Morikawa Kyoriku (Kyoroku) 森川許六 (d. 1715)

after 1705 · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
The Night-Hag Visiting Lapland Witches by Henry Fuseli, The Metropolitan Museum of Art

The Night-Hag Visiting Lapland Witches

Henry Fuseli (d. 1825)

1796 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cameo Medallion

Josiah Wedgwood and Sons (d. 9999)

ca. 1777 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of Josiah Wedgwood

Josiah Wedgwood and Sons (d. 9999)

ca. 1782 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of Benjamin West

Josiah Wedgwood and Sons (d. 9999)

ca. 1788 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of Jacques Necker

Josiah Wedgwood and Sons (d. 9999)

ca. 1788–89 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of George III

Josiah Wedgwood and Sons (d. 9999)

ca. 1790 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of Lord Howe

Josiah Wedgwood and Sons (d. 9999)

ca. 1798 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George Washington

Josiah Wedgwood and Sons (d. 9999)

ca. 1802 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Summer Indolence, from "Passages from Modern English Poets Illustrated by the Junior Etching Club"

Sir John Everett Millais (d. 1896)

1861 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.