Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
275 ms. The Metropolitan Museum of Art, Collection API (Open Access)
445 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Autumn (No. 28 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Henry Clarence Whaite (d. 1912)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ballad (No. 18 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Frederick Smallfield (d. 1915)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fair Ines (No. 24 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Walter Severn (d. 1904)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode: – Autumn (No. 26 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
John Dalbiac Luard (d. 1860)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates
Thomas Hood (d. 1845)
1858 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruth (No. 27 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Sir John Everett Millais (d. 1896)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death-bed (No. 16 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
William Coutts Keppel, 7th Earl of Albemarle (d. 1894)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Elm Tree (No. 3 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Sir John Tenniel (d. 1914)
1858 · Illustrations: etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lee-Shore (No. 14 "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Charles Samuel Keene (d. 1891)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lee-Shore (No. 15 "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Francis Powell (d. 1914)
1858 · Aquatint and etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Season (No. 33 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
John Sleigh (d. 1872)
1858 · Etching on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.