
The Illustrated Sutra of Past and Present Karma (Kako genzai inga kyō emaki)
Unidentified artist
late 13th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
308 ms. The Metropolitan Museum of Art, Collection API (Open Access)
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,632 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Illustrated Sutra of Past and Present Karma (Kako genzai inga kyō emaki)
Unidentified artist
late 13th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Watch
Simon Hackett (d. 1664)
ca. 1632–40 · Case: enamel, glass, gold, and gilded brass; Movement: gilded brass and steel, partly blued
Cleared · Public Domain
live
Four O'Clock in the Country
Thomas Rowlandson (d. 1827)
October 20, 1790 · Hand-colored etching
Cleared · Public Domain
live
Past One O'Clock
Thomas Rowlandson (d. 1827)
1820 · Hand-colored etching
Cleared · Public Domain
live
A friend who was invited to relax for a few days in the countryside, from 'The joys of country life,' published in Le Charivari, September 12, 1865
Honoré Daumier (d. 1879)
September 12, 1865 · Lithograph on newsprint; second state of two (Delteil)
Cleared · Public Domain
live
Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe)
Genki (Komai Ki) (d. 1797)
1895 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Past One O'Clock (Characteristic Sketches of the Lower Orders, Intended as a Companion to the New Picture of London)
Thomas Rowlandson (d. 1827)
1820–23 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fifth Avenue Critics, from "New York City Life"
John Sloan (d. 1951)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fifth Avenue Critics, from "New York City Life"
John Sloan (d. 1951)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for Inspector's Scrutiny
Nicky Nodjoumi (d. 9999)
2012 · Ink on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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