
Cupid holding a candle socket
Unrecorded maker
early 16th century · Bronze, traces of brown lacquer patina; later marble base
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
242 ms. The Metropolitan Museum of Art, Collection API (Open Access)
389 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cupid holding a candle socket
Unrecorded maker
early 16th century · Bronze, traces of brown lacquer patina; later marble base
Cleared · Public Domain
live
Armorer's vise
Jacopo da Ferrara (d. 1650)
1588 · Iron
Cleared · Public Domain
live
Cupid bearing a quiver and a candle socket
Unrecorded maker
mid-16th century · Bronze
Cleared · Public Domain
live
Arganonä Maryam (The Organ of Mary) prayer book
Baselyos, also known as "The Ground Hornbill Master" (d. 1700)
late 17th century · Parchment, pigment ink, wood, leather, fiber
Cleared · Public Domain
live
Coffer stamped with the arms of Marie Thérèse of Savoy as the Countess of Artois
les frères Riollant (d. 1781)
ca. 1773 · Wood, red morocco gilt-tooled leather, brass metal handle and clasps; silk lining
Cleared · Public Domain
live
Sash
Leo Madjarski (d. 1825)
1767–80 · Compound plain weave, silk and metal-wrapped thread with metallic fringe
Cleared · Public Domain
live
Shawl
Nadezhda Merlina Manufactory
early 19th century · Tapestry and twill weave, goat fiber
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A lighting maker composed of the tools of his trade (Costumes Grotesques)
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An horse shoe maker composed of the tools of his trade (Costumes Grotesques)
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hoisery maker composed of the tools of his trade, from "Costumes Grotesques"
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maker of fireworks composed of the tools and products of his trade (Costumes Grotesques)
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pastry maker composed of the tools of his trade, from "Costumes Grotesques"
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.