
George Brydges Rodney (1718–1792), 1st Baron, English admiral
Pierre Stephan (d. 1795)
18th century · Stoneware
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
186 ms. The Metropolitan Museum of Art, Collection API (Open Access)
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 42 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

George Brydges Rodney (1718–1792), 1st Baron, English admiral
Pierre Stephan (d. 1795)
18th century · Stoneware
Cleared · Public Domain
live
London from Greenwich, part V, plate 26 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching and mezzotint; first state of four
Cleared · Public Domain
live
The Marquis de Lafayette
Rembrandt Peale (d. 1860)
1825 · Oil on canvas
Cleared · Public Domain
live
Two Studies of a Reclining Male Nude, after Gericault (recto); Figure Studies after Rubens's “Fall of the Damned” (verso)
Eugène Delacroix (d. 1863)
ca. 1820–22 · Graphite, pen and brown ink (recto); pen and brush and brown ink (verso)
Cleared · Public Domain
live![[American naval monument] by an unrecorded maker, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ad/web-large/24823.jpg)
[American naval monument]
Unrecorded maker
ca. 1816–ca. 1830 · Earthenware, transfer-printed
Cleared · Public Domain
live
Paul Jones, from the series Great Americans (N76) for Duke brand cigarettes
W. Duke, Sons & Co. (d. 1920)
1888 · Commercial color lithograph
Cleared · Public Domain
live
John Paul Jones (1747–1792)
Jean Antoine Houdon (d. 1828)
1903, after a model of 1781 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Redemption of Tannhäuser (recto); Figure Sketches (verso)
Sir Frank Dicksee (d. 1928)
1892 · Watercolor and gouache (bodycolor) on buff card (recto); graphite (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Greenwich Park No.1
Joseph Pennell (d. 1926)
1906 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paul Jones, The Naval Hero, from the "Heroes of History" series (T68), issued with Miners Extra Smoking Tobacco, Natural Leaf Scrap, and Royal Bengals Little Cigars
Royal Bengals Little Cigars (d. 1950)
1911 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Paul Jones, bakery card from the Frontiers of Freedom series (D39-4), issued by the Gordon Bread Company
Gordon Bread Company
1940s · Commercial color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.