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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    411 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    582 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "Peaked Morion"12 records

Institutions answered newest-first by record, interleaved

Morion for the Bodyguard of the Prince-Elector of Saxony by an unrecorded maker, The Metropolitan Museum of Art

Morion for the Bodyguard of the Prince-Elector of Saxony

Unrecorded maker

dated 1568 · Steel, gold, brass, leather, textile

Cleared · Public Domain

live
The MetSimilar
Peaked Morion by an unrecorded maker, The Cleveland Museum of Art

Peaked Morion

Unrecorded maker

c. 1580–90 · Arms and Armor, etched russet steel with traces of gilding; roped brim, brass plume holder

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Morion by an unrecorded maker, The Metropolitan Museum of Art

Morion

Unrecorded maker

ca. 1570 · Steel, gold, brass

Cleared · Public Domain

live
The MetSimilar
Morion by an unrecorded maker, The Cleveland Museum of Art

Morion

Unrecorded maker

c. 1575–1600 · Arms and Armor, steel with etched floral motif and medallion (on comb) with boar under oak tree

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Morion for the Bodyguard of the Prince-Elector of Saxony by an unrecorded maker, The Metropolitan Museum of Art

Morion for the Bodyguard of the Prince-Elector of Saxony

Unrecorded maker

ca. 1570 · Steel, gold, brass, leather

Cleared · Public Domain

live
The MetSimilar
Pointed Morion by an unrecorded maker, The Metropolitan Museum of Art

Pointed Morion

Unrecorded maker

ca. 1560–70 · Steel, copper alloy (brass), gold, silver, leather

Cleared · Public Domain

live
The MetSimilar
Morion by an unrecorded maker, The Metropolitan Museum of Art

Morion

Unrecorded maker

late 16th century · Steel, silver, pigment, brass, gold, glass

Cleared · Public Domain

live
The MetSimilar
Morion by an unrecorded maker, The Metropolitan Museum of Art

Morion

Unrecorded maker

ca. 1575 · Steel, brass

Cleared · Public Domain

live
The MetSimilar
Morion by an unrecorded maker, The Metropolitan Museum of Art

Morion

Unrecorded maker

ca. 1575 · Steel, brass

Cleared · Public Domain

live
The MetSimilar
Burgonet for the Guard of the Counts Khevenhüller zu Aichelberg by an unrecorded maker, The Metropolitan Museum of Art

Burgonet for the Guard of the Counts Khevenhüller zu Aichelberg

Unrecorded maker

ca. 1580 · Steel, lead, paint, leather

Cleared · Public Domain

live
The MetSimilar
Pointed Morion by an unrecorded maker, The Metropolitan Museum of Art

Pointed Morion

Unrecorded maker

ca. 1590 · Steel, gold, brass, leather

Cleared · Public Domain

live
The MetSimilar
Comb Morion by an unrecorded maker, The Metropolitan Museum of Art

Comb Morion

Unrecorded maker

ca. 1600 · Steel, lead, textile

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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