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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    317 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    564 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Peasant Leaning on a Sack of Grain"12 records

Institutions answered newest-first by record, interleaved

Laden Donkeys and Ploughing, Tomb of Djar by Nina de Garis Davies, The Metropolitan Museum of Art

Laden Donkeys and Ploughing, Tomb of Djar

Nina de Garis Davies (d. 1965)

ca. 2060–2010 B.C. · Paper, tempera paint, ink

Cleared · Public Domain

live
The MetSimilar
"The Captive Peasant with his Two Wives", Folio from a Kalila wa Dimna by an unrecorded maker, The Metropolitan Museum of Art

"The Captive Peasant with his Two Wives", Folio from a Kalila wa Dimna

Unrecorded maker

second quarter 16th century · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
A Peasant in a High Cap, Standing Leaning on a Stick by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

A Peasant in a High Cap, Standing Leaning on a Stick

Rembrandt (Rembrandt van Rijn) (d. 1669)

1639 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Peasant Leaning on a Sack of Grain by Catherine-Francoise Beauvarlet, The Metropolitan Museum of Art

Peasant Leaning on a Sack of Grain

Catherine-Francoise Beauvarlet (d. 1769)

1758 · Etching

Cleared · Public Domain

live
The MetSimilar
Retreat from the Storm by Jean-François Millet, The Metropolitan Museum of Art

Retreat from the Storm

Jean-François Millet (d. 1875)

ca. 1846 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Netsuke by an unrecorded maker, The Metropolitan Museum of Art

Netsuke

Unrecorded maker

19th century · Wood

Cleared · Public Domain

live
The MetSimilar
Netsuke of Hotei and Bag by an unrecorded maker, The Metropolitan Museum of Art

Netsuke of Hotei and Bag

Unrecorded maker

19th century · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Resting Peasants with Their Cattle

Nicolaes Berchem (d. 1683)

ca. 1675–78 · Red chalk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winnowers (Loguivy)

Henri Rivière (d. 1951)

1891 · Color woodcut from twelve blocks

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dress

Yeohlee Teng (d. 9999)

fall/winter 2007–8 · silk, synthetic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Selecha

Elias Sime (d. 9999)

2008 · Goat hide, synthetic fibers, straw

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Selecha

Elias Sime (d. 9999)

2008 · Goat hide, synthetic fibers, straw

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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