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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    486 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 161 matching records exist across the two collections.

Results for "Pectoral with Christ and the Lamb of God"10 records

Institutions answered newest-first by record, interleaved

Funerary Pectoral by an unrecorded maker, The Metropolitan Museum of Art

Funerary Pectoral

Unrecorded maker

ca. 1300–664 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Pectoral of Panekhu by an unrecorded maker, The Metropolitan Museum of Art

Pectoral of Panekhu

Unrecorded maker

664–332 BCE · Glazed steatite

Cleared · Public Domain

live
The MetSimilar
Pectoral with Christ and the Lamb of God and the Symbols of the Four Evangelists by an unrecorded maker, The Metropolitan Museum of Art

Pectoral with Christ and the Lamb of God and the Symbols of the Four Evangelists

Unrecorded maker

1000–1050 · Walrus ivory with gilded copper sheets and copper alloy pin

Cleared · Public Domain

live
The MetSimilar
Lintel with Angels Supporting the Lamb of God by an unrecorded maker, The Metropolitan Museum of Art

Lintel with Angels Supporting the Lamb of God

Unrecorded maker

1150–75 · Limestone

Cleared · Public Domain

live
The MetSimilar
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book

Unrecorded maker

ca. 1180 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Crozier with Lamb of God by an unrecorded maker, The Metropolitan Museum of Art

Crozier with Lamb of God

Unrecorded maker

ca. 1360–1400 · Bone with paint and gold

Cleared · Public Domain

live
The MetSimilar
Saint John the Baptist by an unrecorded maker, The Metropolitan Museum of Art

Saint John the Baptist

Unrecorded maker

15th–16th century · Limewood with paint and gilding

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of the procession with a figure holding a banner with the Lamb of God, from "The Triumph of Christ"

Titian (Tiziano Vecellio) (d. 1576)

1517 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John with the Lamb of God (?) (recto); Various Sketches for an Ascension and other Religious Scenes (verso)

Franz Anton Maulbertsch (d. 1796)

ca. 1750–96 · Pen and ink with wash over a graphite or black chalk underdrawing (recto); Red chalk, black chalk, pen and ink with wash (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with Lamb of God, from Rathenow, Germany

Unrecorded maker

19th–20th century · Charcoal

In copyright

live
The MetSimilar

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