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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1211 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,680 matching records exist across the two collections.

Results for "Pen from a Writing Set"12 records

Institutions answered newest-first by record, interleaved

Panels of a writing board by an unrecorded maker, The Metropolitan Museum of Art

Panels of a writing board

Unrecorded maker

ca. 721–705 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
La Serpentara near Olevano by Friedrich Preller, The Cleveland Museum of Art

La Serpentara near Olevano

Friedrich Preller (d. 1878)

1829 · Drawing, pen and brown ink over black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for a Bookcase with Writing Desk by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Bookcase with Writing Desk

Anonymous, Italian, 16th century (d. 1600)

ca. 1550–70 · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

live
The MetSimilar
Pen from a Writing Set by John Hamilton Mortimer, The Cleveland Museum of Art

Pen from a Writing Set

John Hamilton Mortimer (d. 1779)

c. 1830 · Miscellaneous, hardstones including lapis lazuli, malachite, carnelian, agate, gold; original fitted velvet-lined case

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pen Case by an unrecorded maker, The Metropolitan Museum of Art

Pen Case

Unrecorded maker

15th–16th century · Iron inlaid with gold

Cleared · Public Domain

live
The MetSimilar
Writing Table (Bundai) with Melons and Squirrels by an unrecorded maker, The Metropolitan Museum of Art

Writing Table (Bundai) with Melons and Squirrels

Unrecorded maker

first half 17th century · Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black lacquer ground

Cleared · Public Domain

live
The MetSimilar
Writing Table, from Chippendale Drawings, Vol. II by Thomas Chippendale, The Metropolitan Museum of Art

Writing Table, from Chippendale Drawings, Vol. II

Thomas Chippendale (d. 1779)

ca. 1760–70 · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Writing Nécessaire by an unrecorded maker, The Metropolitan Museum of Art

Writing Nécessaire

Unrecorded maker

ca. 1765–70 · Copper, enamel

Cleared · Public Domain

live
The MetSimilar
Writing Nécessaire by an unrecorded maker, The Metropolitan Museum of Art

Writing Nécessaire

Unrecorded maker

ca. 1765–70 · Enamel on copper, glass

Cleared · Public Domain

live
The MetSimilar
Writing table (part of a set) by Joseph Baumhauer, The Metropolitan Museum of Art

Writing table (part of a set)

Joseph Baumhauer (d. 1772)

ca. 1770 · Oak, veneered with tulipwood, purplewood, casuarina wood, and kingwood; gilt-bronze mounts, gilt-tooled leather

Cleared · Public Domain

live
The MetSimilar
Set of Five Writing Boxes with Japanese Globeflowers, Plum Blossoms, and Interlaced Roundels by an unrecorded maker, The Metropolitan Museum of Art

Set of Five Writing Boxes with Japanese Globeflowers, Plum Blossoms, and Interlaced Roundels

Unrecorded maker

late 18th–early 19th century · Lacquered wood with gold and silver hiramaki-e and applied gold foil on nashiji ground

Cleared · Public Domain

live
The MetSimilar
Pen handle (part of a set) by S. Mordan & Co., England, The Metropolitan Museum of Art

Pen handle (part of a set)

S. Mordan & Co., England (d. 1898)

1848–49 · Silver, ivory

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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