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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Pendant Triptych with an Onyx Cameo of t"7 records

Institutions answered newest-first by record, interleaved

Pendant Brooch with Cameo of Enthroned Virgin and Child and Christ Pantokrator by an unrecorded maker, The Metropolitan Museum of Art

Pendant Brooch with Cameo of Enthroned Virgin and Child and Christ Pantokrator

Unrecorded maker

late 1000s–1100s (cameo); 1100s–1300s (mount) · Chalcedony cameo; gold mount with pearls, emeralds, garnets, sapphires, and a sardonyx intaglio

Cleared · Public Domain

live
The MetSimilar
William Ponsonby, Viscount Duncannon, Future Second Earl of Bessborough by Johann Lorenz Natter, The Metropolitan Museum of Art

William Ponsonby, Viscount Duncannon, Future Second Earl of Bessborough

Johann Lorenz Natter (d. 1765)

1750 · Onyx, mounted in gold as a pendant

Cleared · Public Domain

live
The MetSimilar
Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79) by an unrecorded maker, The Metropolitan Museum of Art

Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79)

Unrecorded maker

probably mid-18th century · Onyx, mounted in gold, with rubies, amethyst, and emerald, as a pendant

Cleared · Public Domain

live
The MetSimilar
Pendant brooch in the form of a Gothic Cross by Carlo Giuliano, The Metropolitan Museum of Art

Pendant brooch in the form of a Gothic Cross

Carlo Giuliano (d. 1895)

ca. 1880 · Gold

Cleared · Public Domain

live
The MetSimilar
A "Marlborough Gem": Bust of a woman in profile, her back to the spectator by an unrecorded maker, The Metropolitan Museum of Art

A "Marlborough Gem": Bust of a woman in profile, her back to the spectator

Unrecorded maker

19th century · Onyx, glued to a dark brown sardonyx (?) ground, mounted in gold for display, with enamel, smaller cameos, and a pearl

Cleared · Public Domain

live
The MetSimilar
Bona Sforza (1493–1557), Queen of Poland by Giovanni Jacopo Caraglio, The Metropolitan Museum of Art

Bona Sforza (1493–1557), Queen of Poland

Giovanni Jacopo Caraglio (d. 1565)

cameo ca. 1530–40, frame 19th century · Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby

Cleared · Public Domain

live
The MetSimilar
Paternoster Pendant with the Virgin and Child (obverse) and the Meeting of Joachim and Anna at the Golden Gate (reverse) by an unrecorded maker, The Metropolitan Museum of Art

Paternoster Pendant with the Virgin and Child (obverse) and the Meeting of Joachim and Anna at the Golden Gate (reverse)

Unrecorded maker

ca. 1440–50; 19th or 20th century · Sardonyx, enameled gold, and silver

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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