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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "Pendant with Reverse Intaglio of the Ana"12 records

Institutions answered newest-first by record, interleaved

Serpentine intaglio: Radiate lion-headed god by an unrecorded maker, The Metropolitan Museum of Art

Serpentine intaglio: Radiate lion-headed god

Unrecorded maker

ca. 2nd–3rd century CE · Serpentine

Cleared · Public Domain

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The MetSimilar
Double Insect Pendant by an unrecorded maker, The Metropolitan Museum of Art

Double Insect Pendant

Unrecorded maker

300 BCE–700 CE · Gold or gold alloy

Cleared · Public Domain

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The MetSimilar
Pendant by Maya artist(s), The Metropolitan Museum of Art

Pendant

Maya artist(s)

600–700 CE · Jadeite, pigment

Cleared · Public Domain

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The MetSimilar
Pendant by an unrecorded maker, The Metropolitan Museum of Art

Pendant

Unrecorded maker

9th–10th century · Stone; carved, incised, and pierced

Cleared · Public Domain

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The MetSimilar
Anthropomorphic head pendant by an unrecorded maker, The Metropolitan Museum of Art

Anthropomorphic head pendant

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

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The MetSimilar
Monkey Pendant by an unrecorded maker, The Metropolitan Museum of Art

Monkey Pendant

Unrecorded maker

800–1500 CE · Gold

Cleared · Public Domain

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The MetSimilar
Pendant with the Coronation of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Pendant with the Coronation of the Virgin

Unrecorded maker

1450–1500 · Elephant ivory and gilded silver

Cleared · Public Domain

live
The MetSimilar
Pendant model with the Labors of Hercules by an unrecorded maker, The Metropolitan Museum of Art

Pendant model with the Labors of Hercules

Unrecorded maker

third quarter 16th century · Boxwood and various woods, some stained (marquetry)

Cleared · Public Domain

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The MetSimilar
Figure Pendant by an unrecorded maker, The Metropolitan Museum of Art

Figure Pendant

Unrecorded maker

6th–16th century CE · Gold alloy

Cleared · Public Domain

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The MetSimilar
Pendant with Masonic symbols by an unrecorded maker, The Metropolitan Museum of Art

Pendant with Masonic symbols

Unrecorded maker

1758 · Enameled copper

Cleared · Public Domain

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The MetSimilar
Pendant with Masonic symbols by an unrecorded maker, The Metropolitan Museum of Art

Pendant with Masonic symbols

Unrecorded maker

ca. 1760 · Enameled copper, hand painted

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pendant with Saint George and the Dragon

Unrecorded maker

ca. 1890–1910 · Enameled gold set with diamonds

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.