Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    328 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 207 matching records exist across the two collections.

Results for "Peonies Blown in the Wind"12 records

Institutions answered newest-first by record, interleaved

Fragment of a marble relief with a Nike by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a marble relief with a Nike

Unrecorded maker

late 5th century BCE · Marble, Island

Cleared · Public Domain

live
The MetSimilar
Crabs and Peonies by Itō Jakuchū 伊藤若冲, The Metropolitan Museum of Art

Crabs and Peonies

Itō Jakuchū 伊藤若冲 (d. 1800)

mid-18th century, before 1766 · Double-sided freestanding screen (tsuitate); ink and gold on paper

Cleared · Public Domain

live
The MetSimilar
Rooster in a Storm by Sō Shizan, The Metropolitan Museum of Art

Rooster in a Storm

Sō Shizan (d. 1805)

1783 · Hanging scroll; ink, color, and gold on silk

Cleared · Public Domain

live
The MetSimilar
Basket of Flowers with Bamboo Blind by Katsushika Hokusai, The Metropolitan Museum of Art

Basket of Flowers with Bamboo Blind

Katsushika Hokusai (d. 1849)

ca. 1799–1810 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
'Poor Folly' from the 'Disparates' (Follies / Irrationalities) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

'Poor Folly' from the 'Disparates' (Follies / Irrationalities)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1815–19 (published 1864) · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Woman's Ceremonial Robe by an unrecorded maker, The Metropolitan Museum of Art

Woman's Ceremonial Robe

Unrecorded maker

18th or early 19th century · Silk

Cleared · Public Domain

live
The MetSimilar
“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi) by Utagawa Hiroshige, The Metropolitan Museum of Art

“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi)

Utagawa Hiroshige (d. 1858)

1857 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Peonies Blown in the Wind by John La Farge, The Metropolitan Museum of Art

Peonies Blown in the Wind

John La Farge (d. 1910)

ca. 1880 · Leaded opalescent glass

Cleared · Public Domain

live
The MetSimilar
Danso by an unrecorded maker, The Metropolitan Museum of Art

Danso

Unrecorded maker

19th century · Bamboo

Cleared · Public Domain

live
The MetSimilar
Lapa (喇叭 ) by an unrecorded maker, The Metropolitan Museum of Art

Lapa (喇叭 )

Unrecorded maker

19th century · Metal

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Danso

Unrecorded maker

ca. 1980 · Bamboo

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.