Perch for the Parrot on a Perch
Mikhail Evlampievich Perkhin (d. 1903)
1896–1903 · Miscellaneous, Silver, enamel
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
590 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 6 matching records exist across the two collections.
Results for "Perch for the Parrot on a Perch"6 records
Institutions answered newest-first by record, interleaved
Parrot on a Perch
House of Fabergé (d. 1918)
1896–1903 · Miscellaneous, silver, enamel, jasper, agate, emeralds
Cleared · CC0
liveCleveland Museum of ArtSimilar
Parrot from the Parrot on a Perch
Mikhail Evlampievich Perkhin (d. 1903)
1896–1903 · Miscellaneous, jasper, agate, emeralds
Cleared · CC0
liveCleveland Museum of ArtSimilar
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
Lalu
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night
Lalu
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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