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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    393 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    437 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 373 matching records exist across the two collections.

Results for "Perspective (a) and Floor Plan (b) of a"12 records

Institutions answered newest-first by record, interleaved

Ground Plan for Second Floor of a Palace by Degana, The Metropolitan Museum of Art

Ground Plan for Second Floor of a Palace

Degana

n.d. · Pen and black ink, brush and gray wash over graphite

Cleared · Public Domain

live
The MetSimilar
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan) by Alexander Jackson Davis, The Metropolitan Museum of Art

Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan)

Alexander Jackson Davis (d. 1892)

1832 · Watercolor, ink, and graphite on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Barberini (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo del Cardinale Alesandrino (Palazzo Valentini-floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo delli Re d'Inghilterra (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Farnese (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Palazzo Spada (floor plan)

Pietro Ferrerio (d. 1654)

1655 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Leaf from Aedes Walpolianae mounted with a drawing and a print: Plan of the Ground Floor (The Great Floor), Houghton Hall, Norfolk (recto); Le Gladiateur (verso)

Isaac Ware (d. 1766)

1717–35 · Pen and black ink, brush and gray wash (recto); engraving (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Decker, Chief Engineer of the New York Fire Department

E. B. & E. C. Kellogg (d. 1867)

1842 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Attic Story of a House (Floor Plan)

Luther Briggs Jr. (d. 1905)

19th century · Pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A National School of Fine Arts, plan

Lawrence B. Anderson (d. 2000)

1930 · Graphite, pen and black ink, gray and brown wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective (a) and Floor Plan (b) of a French Family House

André Arbus (d. 1969)

1937 · Graphite, brush and brown wash

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.