
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
538 ms. The Metropolitan Museum of Art, Collection API (Open Access)
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,136 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
live
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
live
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
live
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
live
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view into a hall with columns of the Tuscan order placed on pedestals, plate 4, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
1560 · Etching; first state of three (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view into a hall with columns of the Tuscan order placed on pedestals, plate 4, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of three (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of a forest with two deer and palace courtyard with fountain, plate 13, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of a palace courtyard with a fountain placed in a rectangular basin and a view into a Corinthian colonnade at left, plate 6, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of a street, with the printshop of Hieronymus Cock on the corner, plate 1, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective view of the interior of a hall, with cross-vault decorated with grotesques, plate 18, from Scenographiae sive Perspectivae
Hans Vredeman de Vries (d. 1606)
Published 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective View from a series of Mines and Factories
Th (Thomas?) Defoiss
1905 · Graphite, pen and ink, watercolor
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.