Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    309 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    399 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 159 matching records exist across the two collections.

Results for "Perspective view of an open hall support"12 records

Institutions answered newest-first by record, interleaved

The Entrance Hall of the Regensburg Synagogue by Albrecht Altdorfer, The Metropolitan Museum of Art

The Entrance Hall of the Regensburg Synagogue

Albrecht Altdorfer (d. 1538)

1519 · Etching

Cleared · Public Domain

live
The MetSimilar
View in Fisheye perspective of a Hall with Columns and Cross Rib Vaulting by Hans Pesser, The Metropolitan Museum of Art

View in Fisheye perspective of a Hall with Columns and Cross Rib Vaulting

Hans Pesser (d. 1699)

ca. 1610–20 · Engraving

Cleared · Public Domain

live
The MetSimilar
Nineveh and Persepolis: An Historical Sketch of Ancient Assyria and Persia with an Account of the Recent Discoveries in Those Countries by an unrecorded maker, The Metropolitan Museum of Art

Nineveh and Persepolis: An Historical Sketch of Ancient Assyria and Persia with an Account of the Recent Discoveries in Those Countries

Unrecorded maker

1850 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a palace with an open hall on the groundfloor with canellated Ionic columns and a colonnade above, from Small Architectural Perspective Views

Hans Vredeman de Vries (d. 1606)

1562 · Etching; first state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective view of an open hall supported by columns of the Tuscan order, plate 20, from Scenographiae sive Perspectivae

Hans Vredeman de Vries (d. 1606)

Published 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective view of an open hall supported by Corinthian columns placed on pedestals at left and a building with a pediment above the door at right, plate 19, from Scenographiae sive Perspectivae

Hans Vredeman de Vries (d. 1606)

Published 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal panel with an oval scene at center with an open hall with a tunnel vault and a fountain in the foreground, with interlaced bands in the corners, plate 4, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal panel with an oval scene at center with an open hall with colonnade on both sides and a view of the town portal and the street behind, with strapwork and rosettes in the corners, plate 2 from "Variæ Architecturæ Formae"

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical panel with an oval scene at center with view of an inner courtyard with an open second story supported by herms, with diamond shapes set on strapwork cartouches with palmettes, plate 19, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a palace with an open hall on groundfloor with canellated columns of the Ionic order, on the first floor a colonnade, plate 23, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prospect des Plazes vor dem Rath Haus zu Boston / Vuë de la Rue et de la Maison de Ville a Boston (View of City Hall Plaza, Boston)

Franz Xavier Habermann (d. 1796)

ca. 1778 · Hand-colored etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Deluge V

David Bates (d. 9999)

2007 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.