Glenns Falls (No. 6 of The Hudson River Portfolio)
John Hill (d. 1850)
1822 · Aquatint printed in color with hand-coloring; first state of two (Koke)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
262 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "Perth Bridge, for "The Portfolio""12 records
Institutions answered newest-first by record, interleaved
Fort Edward (No. 10 of The Hudson River Portfolio)
John Hill (d. 1850)
1822–23 · Aquatint printed in color with hand-coloring; first state of three (Koke)
Cleared · Public Domain
liveThe MetSimilar
Moscow, Domes of Churches in the Kremlin
Roger Fenton (d. 1819)
1852 · Salted paper print from paper negative
Cleared · Public Domain
liveThe MetSimilar
South Front of the Kremlin from the Old Bridge
Roger Fenton (d. 1819)
1852 · Salted paper print from paper negative
Cleared · Public Domain
liveThe MetSimilar
Chelsea Bridge and Church
James McNeill Whistler (d. 1903)
1871 · Etching and drypoint, printed in black ink on ivory laid paper; fifth state of seven (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Empress Matilda, Queen of England, escaping the Castle in Oxford
Luis G. Campa
1856 [reprinted 1938] · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perth Bridge
Sir David Young Cameron (d. 1945)
1889 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perth Bridge, for "The Portfolio"
Sir David Young Cameron (d. 1945)
July 1889 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perth, or Perth Bridge
Sir David Young Cameron (d. 1945)
1890 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bandits Cave
John Sloan (d. 1951)
1920 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House Above Bridge
Siah Armajani (d. 2020)
2021 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Met 150
The Metropolitan Museum of Art
2021 · Portfolio with a variety of print techniques, including screenprint, lithography, etching, drypoint, linocut, woodcut, and wood engraving. Portfolio consists of 12 prints (Siah Armajani (House Above Bridge), Vija Celmins (Fragment), Jasper Johns (Artists at Work), Kerry James Marshall (Untitled (Exquisite Corpse), Julie Mehretu (Arms), Wangechi Mutu (girl), Gabriel Orozco (Simón’s Lines), Edward Ruscha (Boom Town), Richard Serra (Composite for The Met), Ranjani Shettar (Alae alae), Sarah Sze (Papillon), and Xu Bing (Art for the People for The Met), a colophon, three essays, and a red linen clamshell box.
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.