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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    235 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    415 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Pevensey Castle, from "English Views""12 records

Institutions answered newest-first by record, interleaved

Douer (Dover), from "English Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Douer (Dover), from "English Views"

Wenceslaus Hollar (d. 1677)

1642 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Pevensey Castle, from "English Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Pevensey Castle, from "English Views"

Wenceslaus Hollar (d. 1677)

1652–77 · Etching, third state of three

Cleared · Public Domain

live
The MetSimilar
Warwick Castle by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Warwick Castle

Canaletto (Giovanni Antonio Canal) (d. 1768)

1748 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Warwick Castle: The East Front by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Warwick Castle: The East Front

Canaletto (Giovanni Antonio Canal) (d. 1768)

1752 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
John Talbot, 1st Earl of Shrewsbury and 1st Earl of Waterford by James Parker, The Metropolitan Museum of Art

John Talbot, 1st Earl of Shrewsbury and 1st Earl of Waterford

James Parker (d. 1805)

1793 · Etching and stipple engraving

Cleared · Public Domain

live
The MetSimilar
William Charles Macready as William Tell by Henry Inman, The Metropolitan Museum of Art

William Charles Macready as William Tell

Henry Inman (d. 1846)

1826–27 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[American and Independence] by James and Ralph Clews, The Metropolitan Museum of Art

[American and Independence]

James and Ralph Clews (d. 1836)

ca. 1815–ca. 1834 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
[Castle Garden, Battery, New York] by Enoch Wood & Sons, The Metropolitan Museum of Art

[Castle Garden, Battery, New York]

Enoch Wood & Sons (d. 1846)

ca. 1841–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Vue du château de Pau by Joseph Vigier, The Metropolitan Museum of Art

Vue du château de Pau

Joseph Vigier (d. 1862)

1853 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
ONTARIO/ Lake/ Scenery/ J HEATH by Joseph Heath, The Metropolitan Museum of Art

ONTARIO/ Lake/ Scenery/ J HEATH

Joseph Heath (d. 1853)

ca. 1845–ca. 1853 · Earthenware, transfer-printed

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

ONTARIO/ Lake/ Scenery/ J HEATH

Joseph Heath (d. 1853)

ca. 1845–ca. 1853 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Great International University Boat Race on the River Thames (England) from Putney to Mortlake 4 miles 2 furlongs August 27th 1869, between the picked crews of the Harvard (American) and Oxford (English) Universities

Currier & Ives (d. 1907)

1869 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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