Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    639 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    407 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 202 matching records exist across the two collections.

Results for "Philip II"12 records

Institutions answered newest-first by record, interleaved

Silver tetradrachm of Philip II by an unrecorded maker, The Metropolitan Museum of Art

Silver tetradrachm of Philip II

Unrecorded maker

ca. 359–355 BC · Silver

Cleared · Public Domain

live
The MetSimilar
Portrait of Philip II, King of Spain by Alessandro Cesati, The Cleveland Museum of Art

Portrait of Philip II, King of Spain

Alessandro Cesati (d. 1564)

mid-1550s · Sculpture, citrine, mounted in a gold and enamel pendant

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Silver Tetradrachm of Philip II by an unrecorded maker, The Metropolitan Museum of Art

Silver Tetradrachm of Philip II

Unrecorded maker

ca. 359–355 BC · Silver

Cleared · Public Domain

live
The MetSimilar
The Resurrection of Christ by Philip Galle, The Cleveland Museum of Art

The Resurrection of Christ

Philip Galle (d. 1612)

c. 1562 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of Philip II facing right by Giulio Bonasone, The Metropolitan Museum of Art

Portrait of Philip II facing right

Giulio Bonasone (d. 1576)

ca. 1554 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Seed Received among the Thorns by Philip Galle, The Cleveland Museum of Art

The Seed Received among the Thorns

Philip Galle (d. 1612)

1574 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Philip II by Unknown, The Metropolitan Museum of Art

Philip II

Unknown

mid 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
The Seed Falling among the Stones by Philip Galle, The Cleveland Museum of Art

The Seed Falling among the Stones

Philip Galle (d. 1612)

1574 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Philip II by an unrecorded maker, The Metropolitan Museum of Art

Philip II

Unrecorded maker

1555–76 · Gold

Cleared · Public Domain

live
The MetSimilar
The Seed finding Good Earth by Philip Galle, The Cleveland Museum of Art

The Seed finding Good Earth

Philip Galle (d. 1612)

1574 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
King Philip II of Spain by Pompeo Leoni, The Metropolitan Museum of Art

King Philip II of Spain

Pompeo Leoni (d. 1608)

second half 16th century · Marble

Cleared · Public Domain

live
The MetSimilar
Five Guineas: William & Mary (obverse); Crowned Shield of Arms (reverse) by an unrecorded maker, The Cleveland Museum of Art

Five Guineas: William & Mary (obverse); Crowned Shield of Arms (reverse)

Unrecorded maker

1691 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.