![[Walls of Jaffa near the Jerusalem Gate] by Louis Vignes, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/TR.271a.2019.jpg)
[Walls of Jaffa near the Jerusalem Gate]
Louis Vignes (d. 1896)
1860 · Salted paper print from a paper negative
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
427 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 46 matching records exist across the two collections.
Results for "Photographic Views of Sherman's Campaign"11 records
Institutions answered newest-first by record, interleaved
Confederate Method of Destroying Rail Roads at McCloud Mill, Virginia
Andrew Joseph Russell (d. 1902)
1863 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
![[Ordnance Wharf, City Point, Virginia] by Thomas C. Roche, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP249138.jpg)
[Ordnance Wharf, City Point, Virginia]
Thomas C. Roche (d. 1895)
1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Copying Maps, Photographic Headquarters, Petersburg, Virginia
Unknown
March 1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Savannah, Georgia, No. 2
George N. Barnard (d. 1902)
1866 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Scene of General McPherson's Death
George N. Barnard (d. 1902)
1864 or 1866 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
![[Boston from a Hot-Air Balloon] by James Wallace Black, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP327313.jpg)
[Boston from a Hot-Air Balloon]
James Wallace Black (d. 1896)
1860s · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Photographic Views of Sherman's Campaign
George N. Barnard (d. 1902)
1860s
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Hindu Man, Ellis Island, New York]
Augustus Frederick Sherman (d. 1925)
1905–1917, printed later · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Shuttered Windows of Shoe Factory, Lynn, Massachusetts]
Walker Evans (d. 1975)
1931 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Down Stairs
Elisabeth Hase (d. 1991)
ca. 1948 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.